zine158

Will Alexander
General Scatterings and Comment

alligatorzine | zine

I speak Gullah and cater to stored rats. As for me, there always exists abominable increase, dazed lepers, arachnids crawling through skin. As for hunting migrating forms from the inferno I scour the inferno, I take into account forms of unleashed fever, creating from my presence a brackish kind of moth, soaring, yet all the while cadenced by telepathic inherence.

*

See, I've fed myself on leper's toxins, on certain forms of insect's bodies, turning alien into good. True, I am open to rewards, but not in a niggling degree, travelling as I do across igneous beds, void of sumptuous lands and soils.

*

Say I climb a ladder of wheat, and say, an owl appears, I am then suspended as ampersand, as porous insularity. I remain then, as unstructured energy fueled by an eruptive field of positrons, my mind instinctively mesmerized by transparency. Primary symbols thus saturate my field as owl, allowing me knowledge of different states and planes of the illusive.

*

As crow, he is puzzled by collapsed forensic weight, by the fact that millennia have passed, and he continues to migrate to the source of his origin. He knows that the meta likeness of himself has transmuted, as he continues his flight to storm peak after storm peak. At times, he senses engulfment, characterized by convulsive scarps in his wings, mirrored by fully entangled ground forms. So by crossing this isolate interior of threat, he yields, and continuous to yield to the most vapourous summons falling from heights of telepathic fire, always kindled by the intangible. He is like and unlike the lateral sonics of a se cub. A sea cub carrying portions of both shark and squid honed by telepathic audition. As crow, he changes form throughout flight. In this sense, he is unruly, deathless, knowing that something other than seas of entropy as his lone exposure. As for other riddles and variation, he has lost instinctive track as if all the parsecs had fled, or been superseded. He flies, cycles transmute. Beyond the maze of the uncountable he floats as blackened crystal, his pattern of flight functions without exhibit.

*

Under a raised copper partition, there are children risking themselves, playing with cyanic particles of ice. As if scattering carved salt at play. Thus, they are porous, healthless, damaged beyond what is considered the cursed splendours of evil.

*

Crossing the fractured rotations of Pollock, we experience vertigo which empowers the spontaneous, their counter-rotational clauses spinning as simultaneous resistance, volatile stationary wheels exploding as reversed and suddenly transcendent current.

*

Earliest Sapiens Sapiens — a hurtling proto-balletic.





This material is © Will Alexander
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