alligatorzine | zine |
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Particularly speaking to this “Covid moment,” Eicha 3 (the 3rd installment in a 5 part series) takes as its jumping off point, the Biblical Eicha, The Book of Lamentations, which laments the destruction of Jerusalem and through reflection, deflection, refraction and the fracturing of language, homophonically re-situates the original text to the horrors and hope of the present moment. Tracking through “the city” as a desolate weeping widow overcome with misery, and moves through desolation ruin, prayer and recovery, it explores ways that in rupture, there is rapture. |
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Adeena Karasick is a New York poet, performer, cultural theorist and media artist and the author of 12 books of poetry and poetics. Most recently is Checking In (Talonbooks, 2018) and Salomé: Woman of Valor (University of Padova Press, Italy, 2017), Salomé: Woman of Valor CD, NuJu Records, 2020, and Salomé Birangona, Bengali translation, Boibhashik Prokashoni Press, Kolkata, 2020. Karasick teaches Literature and Critical Theory for the Humanities and Media Studies Dept. at Pratt Institute, is Poetry Editor for Explorations in Media Ecology, Associate International Editor of New Explorations: Studies in Culture and Communication, 2019 Andrew W. Mellon Foundation Award recipient and winner of the 2016 Voce Donna Italia award for her contributions to feminist thinking. The “Adeena Karasick Archive” is established at Special Collections, Simon Fraser University. Forthcoming is Massaging the Medium: 7 Pechakuchas from The Institute of General Semantics Press: Language in Action and Ærotomania: The Book of Lumenations. |
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